I Don't Want To Go To Heaven
The Connor Brothers’ original piece I Don’t Want To Go To Heaven, measuring 11" x 9", is a captivating work that blends elegant draughtsmanship with sardonic wit. Executed in a refined, linear style reminiscent of Matisse, this hand-drawn and delicately coloured image presents a reclining woman adorned in glamorous accessories, her pose languid yet self-assured. Surrounding her are florals and interior details, lightly sketched to form a rich yet restrained backdrop. Beneath the image, a handwritten line delivers the punch: “I don’t want to go to heaven, none of my friends are there”. This bittersweet sentiment perfectly encapsulates the trademark Connor Brothers blend of beauty, irony and subversion.
The British duo behind the pseudonym, Mike Snelle and James Golding, first rose to fame with a fictional backstory about cult-surviving twins. Their decision to mask their identities gave them the freedom to channel their experiences into art, confronting themes of mental health, social expectations and existential yearning. Through nostalgic aesthetics and provocative captions, their works dismantle the gap between illusion and truth, encouraging viewers to question societal norms. Small in scale but powerful in sentiment, this work is a testament to their unique artistic voice—playful, poetic and profoundly human.
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The Connor Brothers’ original piece I Don’t Want To Go To Heaven, measuring 11" x 9", is a captivating work that blends elegant draughtsmanship with sardonic wit. Executed in a refined, linear style reminiscent of Matisse, this hand-drawn and delicately coloured image presents a reclining woman adorned in glamorous accessories, her pose languid yet self-assured. Surrounding her are florals and interior details, lightly sketched to form a rich yet restrained backdrop. Beneath the image, a handwritten line delivers the punch: “I don’t want to go to heaven, none of my friends are there”. This bittersweet sentiment perfectly encapsulates the trademark Connor Brothers blend of beauty, irony and subversion.
The British duo behind the pseudonym, Mike Snelle and James Golding, first rose to fame with a fictional backstory about cult-surviving twins. Their decision to mask their identities gave them the freedom to channel their experiences into art, confronting themes of mental health, social expectations and existential yearning. Through nostalgic aesthetics and provocative captions, their works dismantle the gap between illusion and truth, encouraging viewers to question societal norms. Small in scale but powerful in sentiment, this work is a testament to their unique artistic voice—playful, poetic and profoundly human.
