Library Study LXXXIV
Size:21 x 16 in.
Library Study LXXXIV is a 17" x 12" mixed media work that typifies The Connor Brothers’ ability to turn a simple object into a sharp, ironic commentary on modern life. The artwork presents a neatly arranged line of faux Penguin Classics, all in a striking burnt orange palette, their spines worn and uneven as though handled over years of confession, avoidance and self-analysis. Each fictional title functions like a punchline: “Memories Of An Addict: I Knew I’d Been There Once”, “Schizophrenia: It’s Either Him Or Me”, and “Apathy: Couldn’t Give A F**k About It”. These books become stand-ins for coping mechanisms, defence strategies and unspoken thoughts, catalogued with deadpan humour.
To the left, a coffee ring stain disrupts the pristine white background, suggesting late nights, distraction, or the quiet chaos behind curated appearances. Beneath the row, a faint handwritten note reads “The World’s Largest Moon Stere”, half-formed and unresolved, reminding us that even the artist’s own thoughts remain unfinished.
The Connor Brothers’ work continues to blur the line between satire and sincerity. Their invented libraries act as self-portraits of contemporary anxiety, turning private struggles into shared cultural jokes. What appears playful is, as ever with the brothers, uncomfortably close to the truth.
Original: $4,762.55
-65%$4,762.55
$1,666.89Product Information
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Description
Size:21 x 16 in.
Library Study LXXXIV is a 17" x 12" mixed media work that typifies The Connor Brothers’ ability to turn a simple object into a sharp, ironic commentary on modern life. The artwork presents a neatly arranged line of faux Penguin Classics, all in a striking burnt orange palette, their spines worn and uneven as though handled over years of confession, avoidance and self-analysis. Each fictional title functions like a punchline: “Memories Of An Addict: I Knew I’d Been There Once”, “Schizophrenia: It’s Either Him Or Me”, and “Apathy: Couldn’t Give A F**k About It”. These books become stand-ins for coping mechanisms, defence strategies and unspoken thoughts, catalogued with deadpan humour.
To the left, a coffee ring stain disrupts the pristine white background, suggesting late nights, distraction, or the quiet chaos behind curated appearances. Beneath the row, a faint handwritten note reads “The World’s Largest Moon Stere”, half-formed and unresolved, reminding us that even the artist’s own thoughts remain unfinished.
The Connor Brothers’ work continues to blur the line between satire and sincerity. Their invented libraries act as self-portraits of contemporary anxiety, turning private struggles into shared cultural jokes. What appears playful is, as ever with the brothers, uncomfortably close to the truth.
